THE
FURNITURE SOCIETY’S ANNUAL MEETING AT MIT
Copyright
Vladimir Kagan 2010
The
Furniture Society is a loosely knit but tightly bonded group of the best
furniture designer makers in America and from around the world. They come in
all sizes: Grizzly graybeards, beanie-hatted hipsters, young aficionados, and
weathered craftsmen (a few with tips of their fingertips missing… a sure sign
of a seasoned woodworker…I have had a
mortal fear of my machines ever since I had to drive my best cabinet maker to
the emergency room, holding his cut-off fingers in a towel…P.S. they did manage
to sew them on again, almost as good a new!).
The
Society meets once a year in diverse settings. This year’s conference: FS2010:
FUSIONS met in Cambridge at Massachusetts Institute of Technology (MIT). It was
all about the fluid relationships between mind and hand, tools and materials,
maker and client, technique and theory…. The conference brought together
craftsmen and women, designers, collectors, educators and curators. There could
not have been a more prestigious setting. MIT is a Mecca of architectural
experimentation. Every worthy architect of the 20th and 21st
Century had been commissioned to create one of their illustrious buildings:
starting with the Beaux-Arts firm of McKim Mead and White, they moved on to the esthetic modernism
of Eero Saarinen, and I. M. Pei’s sensitive consructionism and on to Frank
Gehry deconstructionist Architecture building.
Within
these exalted Halls the Furniture Society’s celebrated their 13th
Annual meeting.
MIT's $300 million Stata Center in Cambridge, designed by architect Frank Gehry, was completed in the spring of 2004. (In 2007 MIT's filed a negligence suit against Frank Gehry, charging that flaws in his design of the $300 million Stata Center in Cambridge, one of the most celebrated works of architecture unveiled in years, caused leaks to spring, masonry to crack, mold to grow, and drainage to back up! (So much for Avante Garde architecture!...Vladi)
Amongst
MIT’s well-known graduates have been George Nakashima and Ray Magliozzi of
NPR’s Car Talk Show maker. Ray gave the Keynote speech and kept us in stitches
with his aside annotations. We learned that he is really not all that much
obsessed with cars and drives an old family clunker. He, not so coincidentally,
is also a skilled furniture maker.
Ray Magliozzi and Vladimir Kagan at
Furniture Conference at MIT
The conference
touched base on a broad range of subjects: Technology, going green, inspiration
from the past, mind and hand connection and furniture forward. Heady stuff
crammed into three days. Unfortunately, we were only able to participate the
first day – and thereby missed other events including this year’s Award of
Distinction given to John Cederquist – (last
year, I was the fortunate recipient.) Unfortunately, other commitments
forced us to miss the rest.
However,
in our short stay we did take in a few of the workshops; visited three exhibits
and had an enjoyable al fresco lunch with our old friend John Makepeace, who
had flown over from England, to make a presentation the next day. Brooke Davis
who is a whiz at working with C&C machines and recreates elaborate
sculpting and 3D modeling in wood; Mark Bench, a delightful Englishman, living
and working in Manhattan, is a member of the Board of Trustees and is deeply
involved with the structure of the Society; Lili Jackson, Daughter of Ann
Rockler Jackson of the Rockler woodworking and hardware supplier, and Scott
Grove, a superb woodworker who worked for Wendell Castle (the bonhomie of
furniture makers) as studio director and expanded his skills into other media such
as Fiberglass and semi-precious gems.
Scott presented some wild veneering techniques at a later workshop,
explaining his pioneered wavy contour seam and a spiral match. Scott just informed me that he had won the 2010 Veneer Tech Craftsman Challenge grand prize AND also took a
merit award in one of the four other categories. (No one had ever taken
two out of the five awards in the past).
Scott Grove’s veneering technique on one
of his chest of drawers
Another
furniture icon at the conference was Garry Knox Bennett, A man the size of a
Grizzly and the sweetness of a Teddy Bear. In the 60’s, Garry turned pot
smoking from a sub-culture into a million dollar enterprise by inventing and
producing a better roach clip. Today he is a consummate craftsman: His work is
entertaining and adventuresome. Garry has had numerous exhibits and books
written about his work. Check him out in a book called “Made In Oakland: The
Furniture of Garry Knox Bennett”.
In recent years Garry created 120 chairs, each a work of art: Unique, often whimsical. 52 of them were exhibited in the Bellevue Art Museum in Bellevue, Washington and traveled to five other venues over the next four years. The museum published a catalog in a beautifully illustrated book titled “Call Me Chairmaker”.
For
the members’ exhibit: he signed one of these chairs with an original roach clip
and a two-dollar bill and the word “perhaps”. To explain this tongue-in-cheek
humor, it is tied to an earlier exhibit that was titled Historical Woods: the
exhibit’s premise: Woods acquired from historic sites…. The Poplar wood used to
make his spin-off of Gerrit Rietveld’s Zig Zag chair came from President
Jefferson’s estate, (hence the two-dollar bill with Jefferson’s image on it.)
The other corollary was that Jefferson was reputed to have grown hemp on his
estate, (ostensibly for making rope and other useful items). Garry suggests “perhaps”
with a roach clip)…. Jefferson was
an innovator and was credited with having added the writing arm on a Windsor
chair, as Garry did to the Z chair.
Vladimir admiring Garry Knox Bennett’s paraphrase of Rietveld’s Zig-Zag Chair
......and Garry's amusing “signature” under the
seat.
Among
the interesting presentations we attended, I particularly enjoyed Douglas
Green’s well-organized lecture, Design
and Crafting in the 21st Century. He talked of his successful
knockdown furniture collection, giving us ample illustrations visually and
figuratively on their advantage such as shipping costs, ease of assembly and
less obsolescence. He made a convincing case for licensing instead of craft
production. (However, he did not convince
me, as I have been there; tried it; and don’t like it) It seems that “The
grass is always greener on the other side!” Doug has an idyllic 10,000 square
foot workshop, fully equipped, in Portland Maine, which he is trying to bail
out of. Anyone interested in relocating?
Here is your chance…. Were I
younger, I would bite on it at once!
Douglas Green’s interpretation of Arts & Craft designs into his RTA (Ready To Assemble) dining room set.
Squeezed
into our one-day’s tight agenda were visits to three exhibits of members’
works: The main exhibit in the Kresge Auditorium lobby, included works by
makers from Historical Woods of America, who focused on projects made with
recycled woods from historic sites such as Washington’s Mount Vernon estate and
Jefferson’s Monticello. This exhibit was the brainchild of William Jewell and
Jacques Vesery, both wood artisans. It was their vision to immortalize historic
woods felled or harvested from America’s historic sites. The exhibit produced
an amazing potpourri of works with spiritual legends written by each of the
makers. A beautiful catalog accompanied the show and is well worthwhile
acquiring or finding on the Internet: Historical Woods of America.
Below are just a few of the examples
that captivated me.
Jack Slentz's sculpture carved in Washington-era Mount Vernon Oak
Jaques Vesery's exquisitely turned and sculpted vessel in multiple woods and semi-precious stone
William Jewell's Console Table made of figured walnut and the skeleton of a Saguaro Cactus
Thomas Huckster's Pie Crust table from George Washington Distillery Walnut
The
second exhibit: 6 Degrees of Separation in the Compton Gallery, featured
woodworkers form the six New England states: Maine, New Hampshire, Vermont,
Connecticut, Rhode Island and Massachusetts.
My apology to the wonderful New England craftsmen for the small photos of their work... I cribbed them from the internet.
The Fly Fish Cabinet is by Cunningham. The Textured Sideboard by Bart Niswonger. The sheet covered chair and table: ' Until Next Year' are actually carved in wood by James Sagui. The delicate Cephalopod is by sculptor Maario Messina---- and the amusing "Adorn-meant" cabinet by Mark Del Guidice
The
third exhibit was furniture makers trying their hand at outdoor furniture. It was
spread over the lawn of the Kresge Green and proved to be a fun place to rest
our buns in the fresh air between a full agendum of events.
Erica and Vladi taking a break on a straw couch, part of the outdoor furniture exhibit
If
you are interested in fine furniture making or just good craft, this is the
group to tie in with. For more information on the Furniture Society, visit www.furnituresociety.org
The office of the scholar is to cheer, to raise, and to guide men by showing them facts amidst appearances.Do you understand?
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Those are very beautiful furniture, I like the Scott Grove’s veneering technique, it's sooo cool! Hopefully, this Furniture Society's would be success.
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I love that drawing! It reminds me of that old TV show (might still be going actually..) in North America called The Big Comfy Couch. Definitely need on of those at home!
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Posted by: Critelli Fine Furniture | 09/13/2010 at 05:50 PM
Some great designs. The zig-zag chair is truly one of a kind!
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These were some great examples of very unique and innovative designs!
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Most of the furniture works have been given from the collection to museums...
Posted by: Cat Furniture | 09/21/2010 at 03:44 AM
Nice overview Vladimir
I had an Anonymous item in the 'Silent Auction' - anyone guess what that was?
Formerly 'retired' now from furniture - i MISS it mucho and still revel in some of the great projects I did 'on commission'. I've still got speculative drawings that SOMEDAY I hope to manifest - but for now, furniture is something I look at and enjoy. Skill is what I look for, and there are ample examples of that here. Though I am a bit surprised that there is so little 'respect' paid to the forefathers/mums of the craft/trade.
If interested, check out my work here -
http://canadadaphotography.blogspot.com - search under the tab - CanadianFineFurniture by mlh
Posted by: Margaret Lindsay Holton | 09/23/2010 at 08:06 PM
Vladimir, this a very nice blog with unique pieces.
Posted by: Matt | 10/05/2010 at 06:41 PM
Vladimir, Love your blog. I admired unique furniture and the pieces you displayed renewed my interest in furniture making.
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Wow, it such a great and one of a kind furniture designs. I love the concept of each furnitures shown in the pictures.
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Furniture is the mass noun for the movable objects intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things. Storage furniture such as a nightstand often makes use of doors, drawers, shelves and locks to contain, organize or secure smaller objects such as clothes, tools, books, and household goods.
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