Copyright Vladimir Kagan 2010
Friday, a week ago, was my big Day with Paul Goldberger, the distinguished Architectural critic for The New Yorker, Pulitzer Prize winner and author of numerous erudite books on Architecture. The newest one: Why Architecture Matters.
Gale Coudert and her Coudert Institute put together one of her terrific seminars, this time a roundtable luncheon to discuss the merits of Architecture and Design. The participants were Paul Goldberger, Richard Sammons and Anne Fairfax of the firm Fairfax Architects and myself. The Moderator was the well-known design director of Tiffany, John Loring.
I was in heavy company! Being outnumbered by architects three to one, I had to hold the Fort on the design portion of the program. If Paul Goldberger was the wordsmith, I had better have a good visual presentation to hold up my side of the equation. I assembled photos of architecture, designer's work plus my designs.…(I spend a week fine-tuning my presentation.) To enlighten a lay audience, I introduced them to the ubiquitous designs of everyday life: the Bobby Pin, the Zipper, the safety pin, a pair of scissors. Someone had to design them…but who?
Next, I took them on a journey of the impact a designer can have on a product. For illustrations, I showed the steam engine railroad of the 40's and Raymond Lowey's streamlined redesign, the original typewriters to the sleek IBM Selectric and followed the development of the first Apple desktop to the ethereal Air Laptop that makes everyone drool! I followed this with a challenge to separate Extreme Design…is it art or is it design? Wonderful examples of Marc Newson, Ron Arad, Frank Gehry, the Campana Brothers, Zaha Hadid and Phillipe Starke. It was amazing to see the reaction and as the fine lines got blurred. Designers today, all too often strive to achieve notoriety through extremes, regardless of function.
I concluded my presentation with the strong influence of architecture on my design evolution…not cause and effect, but the parallel thought process.
Richard Sammons and Anne Fairfax were fully dedicated to classical architecture and quite voraciously opposed to modern. They were an excellent foil to us, the dedicated modernists. They mesmerized us with the luscious classic residences they had created for the ultra-rich. Executed with superb precision and details. (After that, who wants to live in a minimalist environment?) Even I confessed, that I am no longer a minimalist. “Less is More” has been replaced by “More is More”. Their lecture lesson in “Architecture 101” was mostly over the heads of most of the audience, including myself, but the comparisons to classic Roman and Greek architecture was fascinating. Richard Sammons is an articulate advocate of the classics and inspiring to listen to.
Paul Goldberger was the encyclopedic devote of 20th Century Architecture. He brilliantly articulated modern's mission. He dissection of Mies Van Der Roe's esthetic proportions in the Seagram Building compared to the Greek Classics was understandable in lay terms. The audience could follow and appreciate the message and the messenger.
Our brilliant moderator, John Loring helped bridge the irreconcilable difference between the modernists and the devout traditionalist.
In retrospect, our meeting was much like the US congress…irreconcilable difference of opinions…. but much more civility!
Here is a link to the review in the Palm Beach Daily News:
http://www.palmbeachdailynews.com/arts/coudert-institute-experts-debate-modern-architecture-design-372797.html
Raymond Lowey Streamlined Engine Design
Mies van der Rohe, Seagrams Building
Kagan Omnibus Sofas (right) and Kagan Dining Chairs (left)
Kagan Omnibus and Corkscrew Chairs (at bar)
Paul Goldberger and Dale Coudert
Paul Goldberger, Dale Coudert, and John Loring
Anne Fairfax and Richard Sammons
Sounds like a very interesting afternoon. Not surprising that the differences of opinion were more civil than congress. Architects and designers have taste and vision, a commodity sadly lacking in congress.
By the way, you look great in the photo.
Posted by: Hillary Chaves | 03/19/2010 at 12:17 PM
"Even I confessed, that I am no longer a minimalist." Don't give up on minimalism in design! The true beauty of minimalism is the artful rendering of stunning materials. And in nearly all cases minimalism does a better job than classic architecture of focusing on what its made of, rather than its shape. Your pictures attest to that. Minimalism loses luster when materials are not carefully considered, or one attempts to take a modern approach as the cheap way out.
Posted by: Pete Morrison | 03/19/2010 at 02:28 PM
A terrific design slide show and I enjoyed the smooth progressions. But how come the photos of the other red-eyed people at the seminar were so unattractive compared to the Hollywood-ish shot of glamorous Erica and Vladi? Looks a bit like a stacked deck to me.
Posted by: Peter Aiken | 03/21/2010 at 10:48 PM
So it seems like your presentation and panel discussion was a HUGE hit! Congrats Vladi!
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I don't know. The daodejing passage you quote seems like pure spirituality to me. The relaxed immersion in whatever it is you face, no matter how horrific, exciting or yawn-inspiring. Water ebbing in all those places.
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